Wednesday, October 31, 2007

Lester Flatt & Earl Scruggs

Guitarist Lester Flatt and Banjo player Earl Scruggs met as members of the legendary Bill Monroe's band, the Blue Grass Boys, in 1946. They left the Blue Grass Boys in 1948 and shortly afterwards formed their own band, the Foggy Mountain Boys. The Foggy Mountain Boys became a prolific bluegrass band, performing and recording through the 1960's. Lester and Earl are well known for a number of performances together on the 60's sit-com, The Beverly Hillbillies. They were highly instrumental in bringing bluegrass music to a much wider audience.

While Scruggs was progressive minded, adding songs by people like Bob Dylan to the group's repertoire, Flatt, by nature a traditionalist, resisted such changes. Subsequently, the band broke up in 1969, and Lester founded the Nashville Grass and Scruggs, the Earl Scruggs Review. Lester Flatt died in 1979, while Scruggs is still performing occassionally.

Here is a great clip of them together back in the day, performing You are My Flower. While Scruggs is famous for his banjo playing, he is also a fine guitar player, as shown in this video. Notice his use of the thumb and fingers along the lines of the Carter style, which led the way to the use of the flatpick, common to this kind of music today. Notice also the size of Earl's pickguard. I can't imagine anyone needing a pickguard that large, with, perhaps, the exception of Peter Townshend. Notice also, Maybelle Carter is playing the autoharp:
http://youtube.com/watch?v=u3Itz0rTiMU

Saturday, October 27, 2007

The Ultimate Guitar Speed Learning System

This guitar course is not the least expensive online guitar course, and it is not for everyone, but if you are intensely serious about learning to play the guitar (acoustic or electric), you might want to consider this new package from Chris Elmore. I say "package" because this is actually a collection of 5 different best-selling guitar courses that cover all aspects of guitar playing. The audio and the video on these online courses are outstanding!

The Ultimate Guitar Speed Learning System is a unique combination of digital audio, professionally recorded audio and video clips, images and text based learning specially designed to fast-track your mastery in all aspects of guitar. It's all there, from basic playing to advanced techniques … plus lead breaks, solos, legendary songs, guitar theory and band jam sessions. Here's what you get:

Guitar Tips
Learn to play the guitar in 30 days online. With image, text and sound, you'll learn using all 3 mediums and really kick start your progress! With a lifetime access as well as the option to to download the entire site to your desktop, you can take it with you on your laptop, jam with friends as well as learn at the speed you're comfortable with!

Guitar Songs
Learn to play your favourite songs on the guitar using Chris's brand new step-by-step site. You'll get access to the hottest songs, tabs, video clips, step-by-step audio tracks and a whole lot more. You'll learn to play your favourite songs in an easy, step-by-step method any time of the day or night, in the comfort of your own home.

Guitar Leads & Licks
Take your playing to the next level with our latest project, Guitar Leads & Licks! Dive into the advance playing strategies of lead guitar and how you belt out those mind boggling leads you only see on television! You'll get into the fundamentals of the Ionian, Dorian and Phrygian scales. Guitar Leads & Licks will take your lead guitar playing to a brand new level.

Guitar Backing Tracks
Jam along with your own virtual band! With catchy drum beats, cool bass riffs and hundreds of synth tracks (including piano, violin and more), it's like having your own virtual band at your finger tips! Improve your strumming by jamming along to different drum beats. Compose your own original songs by exploring catchy bass riffs and synth tracks. Improve your lead guitar playing with your own backing tracks behind you... the choice is yours! With Guitar-Backing-Tracks, it's like having your own band to jam along with any time of the day or night!

Guitar Theory
Guitar Theory goes straight to the heart of music and explores the theory behind it all. Featuring lessons containing beats, signatures, rests, sharps, tempo's dynamics, consonants and a whole lot more... users will gain a thorough understanding of music theory and how it all comes together. Loaded with information, lessons, video's, sounds and songs, Guitar Theory is indispensable for the serious guitarist!

The Ultimate Guitar Speed Learning System is the most comprehensive guitar instruction I've seen. Plus 6 really nice bonuses--it would be well worth your time to check this one out! For all the details:
Click Here!

Saturday, October 20, 2007

Norman Blake Plays His New Altman

In 1998, Norman Blake (pictured to the right) had Bob Altman (pictured above) build him a custom guitar. Listen to the great sound of Norman playing "Salt River" on this guitar at:

http://youtube.com/watch?v=HkZXiENyijs

Bob Altman is a luthier from a family of carpenters. Born and raised in Florida, Bob grew up around friends who played the guitar. He owned acoustic guitars from the age of 14, but due to financial constraints, he could never afford a really good guitar. This gave him a great reason to build one!

Bob describes an unforgettable evening that motivated him to become a luthier: "I guess the real clincher that got me into building acoustic steel string guitars, was the evening I visited a friend, Weyman Dantzler, that was building violins. As we were sharing some very fine homemade muscadine wine, he brought out a violin he had built. It was complete but still in the white (unfinished). He handed it to me. Have you ever held a newborn baby in your hands? Four of our children were born at home. As I held that beautiful, delicate, light creation and heard it whisper from the friction of my fingertips moving over its’ surface, I knew I had found something I would love and could pass on to my family ( 7 children and 8 grand-children): designing and crafting fine musical instruments."

Bob provides a limited lifetime warranty to the original owner of all Altman instruments. Bob's website is at:

http://AltmanGuitars.net

Saturday, October 13, 2007

Playing Through the Blues

Do you love blues guitar, but are frustrated trying to get the sounds of the great bluesmen? Wouldn't it be great to be able to play like Eric Clapton, BB King, Jimi Hendrix, Stevie Ray Vaughan, Angus Young, or Buddy Guy?

Griff Hamlin has created a method that will catapult you from a wannabe blues guitar player into a truly great blues guitar player. No matter where you are now, no matter how long you've searched for the secrets, the tricks, or the techniques. Here's what you get...

How to solo over the entire fretboard effortlessly. No more getting "stuck" in one spot, unable to continue.

How to use the blues and pentatonic guitar scales to play great solos like those of Eric Clapton, BB King, SRV, and other great bluesmen.

How to understand the chord/scale relationships in the blues. This is literally how to play through the blues!

How to play blues bends and use them. You'll learn 1/2 step, whole step, and even 1 1/2 step bends.

How to play the best blues licks that have been used by generations of blues guitar greats.

How to use hammer-ons and pull-offs quickly within your blues solos to increase your speed.

A Step-by-step method that let's you learn at your own pace, and in the comfort of your own home or office.

How to pull off pinch harmonics (guitar squeals) effortlessly, every time.

Over 65 minutes (and counting!) of cut-to-the-chase style video lessons. I'll personally walk you through every note of the course.

Lifetime updates. There is more being added to the members area all the time. With your one-time payment, you get everything, forever!

Playing Through The Blues--A Guide For The Lead Guitar Player will help you achieve your goals in a simple, easy, and straight forward manner. You'll even amaze yourself in no time! For all of the details:
Click Here!

Saturday, October 06, 2007

Remembering Clarence White


Clarence White (1944-1973) was one of the greatest contributors of bringing the acoustic flattop guitar into prominence as a lead instrument in bluegrass music. Clarence White was born in 1944 in Madawaska, Maine, to French-Canadian parents. His father, Eric White, Sr., played the guitar, fiddle, banjo and harmonica. Clarence and his siblings, Roland, Eric Jr., and Joanne, began to play music at an early age. Eventually, a family band was formed: the Three Little Country Boys. They landed a couple of gigs on the Andy Griffith show. Here is a clip from one of these shows with young Clarence playing rhythm guitar. The guy playing the excellent break on that beautiful Gibson F-4 mandolin is Clarence's brother, Roland:

http://youtube.com/watch?v=RpKhWePGNPc

In 1962, the family band became the Kentucky Colonels. It was hard to make a living playing bluegrass during that time, and the Colonels dissolved in late 1965. White became associated with the Byrds in 1966. Here is a great clip of Clarence with the Byrds, showing his proficiency as a flatpicker with Black Mountain Rag:

http://youtube.com/watch?v=L27fIXIh5OM

Here is a great clip filmed on February 13, 1973, the year Clarence died. Clarence is playing New Camptown Races and Dark Hollow with David Grisman, Bill Keith, Peter Rowan, Richard Greene and Stuart Schulman:

http://youtube.com/watch?v=0RkxpFvo__k

On July 14, 1973 while loading his equipment in his car after a reunion gig with the Colonels, Clarence was tragically killed by a drunk driver, ending the life of one of the greatest flatpickers who has ever lived. Gram Parsons lead a singalong of Farther Along at Clarence’s funeral service.

My New Guitar Tablature

Well, some of you have been subscribers to my weekly ezine long enough to remember when I was providing guitar licks via tablature. (If you are not a subscriber, why not sign up on the right hand column of this blog to receive my FREE weekly ezine?) The tablature didn't work out because I discovered that in the emails of some of my subscribers, the tablature was not properly aligned, and so it was confusing.

Well, now I think I have come up with a tablature system that will work in everyone's email. Here is an explanation of my new tablature: The first letter in each note is the guitar string which is played. The guitar strings are, from high to low (that is, from the smallest string to the largest string) e, B, G, D, A, E. Notice that the high "e" (the first string) is represented by a lower case "e," and the low "E" (the sixth string) is represented by the upper case "E."

The first letter is followed by a forward slash and then a number. This is the number of the fret which the finger is placed behind. The number is followed by another forward slash and then either a"d" or a "u." The "d" represents a down stroke (a stroke of the guitar pick away from the face) and the "u" represents an up stroke (a stroke of the guitar pick toward the face).

So, for example, the note represented by "e/7/d" is: the high"e" string (the first string), fingered behind the 7th fret, with a down stroke (a stroke of the guitar pick away from the face). "B/0/u" would be the B string (the second string), played open (with no fingering), with an up stroke (a stroke of the guitar pick toward the face).

I'll be doing one measure per line, in common time, each note being an eighth note in a series of 8. When there is a rest among these eighth notes, where no note is played, I'll indicate it with X/0/o.

So that you can see how all of this works, lets consider the first two measures of a song everyone knows--Bah, Bah, Black Sheep:

A/3/d--X/0/o--A/3/d--X/0/o--G/0/d--X/0/o--G/0/d--X/0/o

G/2/d--G/2/u--G/2/d--G/2/u--G/0/d--X/0/o--X/0/o--X/0/o

Did you figure out the timing with the rests? I'd appreciate some feedback as to how you like this system.